Top Five is a column in which we talk to stand up comics who have just released their own album about their five favorite comedy albums of all time.
Adam Newman is an odd specimen. Not just for his creative headshot choices, but also in the way that he always seems to be in the right place at the right time – or wrong time depending on your feelings. Newman has a knack for finding himself among some of the more bizarre crowds a comic could imagine – from stumbling upon cocaine in a heckler’s jacket to being trash talked by police mid-set and mid-arresting of an audience member. His enthusiastic, playful, and pun-centric performances emit the feeling of fun and recall simpler times when you were free to laugh at anything – diarrhea jokes included. Fresh off the heels of a Comedy Central half-hour special, we had the pleasure of working with him again on his new album, Killed. We took a moment to pick Adam’s brain about some albums that shaped his affinity for the more peculiar sides of comedy.
This is the first comedy record I ever heard. My mom gave me her whole record collection when I was so young, I used to play them on my Playskool record player. I don’t think Playskool ever intended for a 7-year-old to listen to Carlin’s “Seven Words You Can Never Say on Television” on one of their players, but I swear it happened. This is the album that got me into comedy.
This one just barely gets the edge over They’re All Gonna Laugh at You! I was obsessed with these albums when I was a kid. My parents had only heard “The Chanukah Song” and “Lunchlady Land,” so they had no idea what dirty, filthy comedy they were letting their 12-year-old listen to. Although, they did give me Carlin years earlier… Most of my childhood after this point was dedicated to imitating Sandler’s “goat” and “cock-and-balls-grandma.”
I mean it’s a perfect stand-up record. It captures a rowdy, late night comedy club audience being bombarded with perfect joke after perfect joke by a comedian who can handle anything thrown at him.
This album is pure silliness all the way through. I love comedy that isn’t afraid of puns or pubes or poop. And the track where you discover where the album name came from is one of the funniest things I’ve ever heard recorded.
Matt was probably the first person I actually knew to release an album. This was back when I worked at CollegeHumor, and Matt came by our offices to drop off a stack for the whole staff. I popped it into my laptop and couldn’t believe someone I actually knew was capable of making a record as good as my favorite “big-names.” l’ve always loved Matt’s commitment to his bits, the way he thinks outside the box, and I remember especially liking how he really played with the format of the CD (i.e. “Preview Track”).