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INTERVIEW: Andy Richter

Andy Barker, P.I.Rooftop joyously celebrates the DVD release of our favorite bumbling-private-investigator show since, well, ever. We have a chub for Andy Barker, P.I. because we have a MAJOR chub for the show’s star, Andy Richter, who plays an accountant who is mistaken for a detective for hire and decides to just go with it.

Richter himself often just goes with it; maybe a product of his training as an improviser. He’s an actor, a writer, a Jeopardy champion, (cue Trebek!) and, perhaps most recognizably, the yin to Conan O’Brien’s Tonight Show yang (a reprisal, of course, of that same O’Brien/Richter dynamic that audiences first went coconuts for when Richter played sidekick on Late Night with Conan O’Brien).

We were lucky enough to snag an interview with Richter during some Tonight Show downtime, and got him to dish on the show, the biz, and the Trebek. Plus, he used the word “fuddy-duddy” with no irony whatsoever, and gave us a recipe for the Rooftop Comedy Holiday Fatluck, which further cemented him in his position of Rooftop-decreed awesomeness. Read more »

INTERVIEW: Nick Prueher of the Found Footage Festival

Imagine what kind of gems you could unearth if you spent an afternoon digging through the video collection at a thrift store. Instructional aerobics from the 1980s? Battered VHS copies of local cable access television shows? Home videos, starring the most spectacularly mustached men you could imagine?

Nick Prueher and Joe Pickett, co-creators, co-curators, and hosts of the Found Footage Festival, have spent many an afternoon elbows-deep in such thrift-store video bins, and the fruits of their labor are screened, for a live audience, at shows around the country. Sometimes awkward, always hilarious, this “found footage” serves as an authentic historical marker of consumer, health, educational, and fashion trends from the past several decades. And damn. People were funny.

[The Found Footage Festival is currently on tour! Click here to see when it hits your city!]

Rooftop spoke to Nick about his favorite types of clips, those dadgum Internets, and the magic of the movies.

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Interview: Michael Ian Black and Michael Showalter

Michael Ian Black and Michael Showalter need little introduction. The stars of the Comedy Central hit Michael and Michael Have Issues, and two-thirds (with David Wain) of the wildly popular comedy troupe Stella, Black and Showalter have earned the sort of cult following associated with fans who memorize decades worth of sketches and one-liners and movie quotes. [Black is also the Chief Content Officer of Witstream, an aggregated Twitter feed of hand-picked writers and comedians. No banal updates about the weather here, kids.]

So, unsurprisingly, when Rooftop asked Michael and Michael fans to submit questions for this interview, most of them were based on monkey torture and quotes from Wet Hot American Summer. Which we’re cool with. And hell, I even dared to ask Showalter if there were anything that he wanted to dip his balls in. I did it for you, Rooftop fans. I did it for you.  (And, for the record, he declined to answer. I’d keep that info private, too, if I had balls.)

I was thrilled to catch up with the Michaels while they’re in the midst of their “Michael and Michael Have Live Tour” (upcoming dates in Oakland, CA, Montclair, NJ, Boston, Washington DC, and Philly. Click here for more info.) and ask them some of your pressing questions. Are you ready? Here it comes! OPEN WIDE!!

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An Interview with Andy Wood

Interview by Chris Garcia

Andy Wood’s life is probably best summed up by a quote he remembers hearing come out of the mouth of the trophy-stepmother of a friend of his back in fourth grade: “That boy thinks too much.”

Evidently he doesn’t think enough about practical things, though, which is why his engineering career has gone by the wayside in favor of comedy. An alumnus of the Bumbershoot Arts Festival and the Portland Amateur Comedy Competition, Andy is also one of the founders of the Bridgetown Comedy Festival, one of the best stand up comedy festivals in the country.

Andy took a break from his busy schedule to speak to us about his latest project, helping out with The Bentzen Ball, a stand up comedy festival which takes place in Washington DC Thursday-Sunday of this week.

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NATHAN TIMMEL GIVES BACK

When I catch up with Rooftop comedian Nathan Timmel, he’s in the middle of a tour, camped out in a comedy condo in Shreveport, LA, that’s so new, it doesn’t have Internet access yet.

Most people who spend their professional lives traveling without their loved ones would be freaking out over the lack of virtual access (I myself would probably be banging my fists against all available flat surfaces, weeping and convulsing and screaming things like, “Fucking fuck fuck FUUUUUUCK!” Not that it’s, ahem, actually happened.), but Timmel doesn’t mind. He’s been in much more isolated conditions.

Timmel has traveled overseas eight times for military shows, performing for American troops who are serving in Iraq, Afghanistan, Bahrain, Kuwait. On his last tour, in Iraq, Timmel made a simple video that has made a deep emotional impact on the friends and families of American soldiers, so much so that it’s been posted and reposted all over the Internet – on Facebook, on YouTube, on military websites.

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Interview with Joe Wong

Boston-based comedian (and Chinese national) Joe Wong is the envy of his peers. Hand-plucked from relative obscurity by notorious Late Show with David Letterman scout Eddie Brill (who worked painstakingly with Wong to craft the perfect ready-for-prime-time set), Wong made his network television debut on Letterman on April 17, and absolutely slaughtered. Since then, Wong can do no wrong, appearing everywhere from Ellen to Ricky Gervais’ new flick The Invention of Lying.

He hasn’t gone all silver-screen diva on us yet, though. Wong is, of course, still doing stage shows, headlining at the Punch Line in San Francisco on October 6 and 7.  And while this new dad is still figuring out a balance between family life and the fame game, there’s no question in our minds that he’s the next Big Thing. But no pressure, Joe.

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Interview with Steve Martin

Photo by Sandee O.

Interview by Chris Garcia.

I remember watching Steve Martin’s Wild and Crazy Guy on a crinkly VHS tape, while sitting on my parent’s bedroom floor. I was just a little fat kid at the time. My parents were at work, as they often were, and my older sister, my only sibling, had just married her high school sweetheart and moved two miles away.

I lived in a lonely latchkey world of Eggos and Legos and sitcoms and cable tv. My surrogate parents were the Huxtables. My siblings were Pee Wee Herman, Weird Al, and ALF. My best friend: laughter. It was my security blanket, my safety net, and my secret weapon. And when I wasn’t watching people creating laughter on tv, I was creating it myself. I’d dress up in my dad’s clothes and fall down a flight of stairs, blast arm pit farts, run around with my weiner out. I’d do anything to get a laugh. I was that kid.

So there I was, a little lonely clown huddled in front of the Magnavox, watching this man in a white suit with a fake arrow through his head play the banjo in front of thousands of people. I remember thinking to myself, “This guy is just like me! The type of guy that runs into his room, grabs a bunch of props, and starts running around to make people laugh. I’m a wild and crazy guy, too!”

And so my obsession Steve Martin began. I memorized his albums, watched all of his movies, stayed up to watch him on SNL, read ‘Cruel Shoes‘. Twice.

I loved this man. I started emulating him. I’d dress up in a suit for Thanksgiving and recreated scenes from Dirty Rotten Scoundrels and the Jerk for my family. I even put talcum powder in my hair so I’d look more like him. I’d break into the “wild and crazy guys” voice and get sudden bouts of “happy feet.” I wanted to be this man, because he was silly and smart like me, and he made everyone around him so happy.

Not until years later would I realize, that this guy was lonely, too, and that being funny is how some people react to the world, and that laughter is the glue that holds it together.

I, along with a few other writers, had the great pleasure of speaking with Steve over the phone from his Los Angeles home the other day. He has a new banjo record out and a tour he’s promoting, but I managed to sneak in some comedy related questions. He was as nice and thoughtful as I imagined him to be, and, of course, very funny.

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CHRIS FAIRBANKS IS TOTALLY KEYTARDED

Chris Fairbanks left the scenic comfort of Big Sky Country Montana a few years ago for the big city lights of Los Angeles, California, and he’s never looked back. In a relatively short amount of time, he’s performed at the Montreal Just for Laughs Comedy Festival, starred in two reality television shows, earned first runner-up in Comedy Central’s Laugh Riots Contest, and appeared on Jimmy Kimmel Live, Last Comic Standing, and Premium Blend. Not too shabby for a country boy.

Chris took a moment to talk to us about his upcoming live album, which he’ll be recording for Rooftop Comedy Records on Wednesday, September 30th and Thursday, October 1st at the The Punchline Comedy Club in San Francisco, Ca.

ROOFTOP: What can we expect from your new album, my man?

CHRIS FAIRBANKS: Mostly funny jokes, a few stories about my life, three awkward moments, one really sad moment, and of course, a lot of keytar driven jazz-metal fusion.

ROOFTOP: Walk us through the process of creating your upcoming album. Did you get to point in your act when you decided, “Man, my act is really tight right now, I need to get this down on tape”, or did you set a goal to record an album by a certain date, and work towards making that happen?

CHRIS FAIRBANKS: I never wanted to, or put pressure on myself to “drop” an album. I only started thinking about doing it when people started asking for one after shows. It’s definitely high time though, I’ve been doing this for over ten years and have yet to record. I’ve tried in the past, but a large part of my act is often unscripted and I rarely just stick to my jokes. I’d like to, but my brain always takes my mouth on little detours. I’d like my CD to just be of my material, so I’m going to try to curb the improvisation a little bit for this recording.

ROOFTOP: So, how have you been preparing for the recording?

CHRIS FAIRBANKS: The only way to prepare is to perform as much as possible, and that’s what I’ve been doing. I’ve seriously gone up about 25 times in the last month.

ROOFTOP: Of all the clubs in the country, why did you pick the San Francisco Punchline to record your album? Of all the labels, why Rooftop?

CHRIS FAIRBANKS: Well, I only know of three comedy labels that even exist, and Rooftop approached me first, which kind of made it easy. I think with anyone else, I’d be completely on my own with any kind of promotion, and self promotion has never been my strong suit. The Punchline in San Francisco is undeniably one of the best in the country, and Rooftop is able to record there, so that was that. I’ve actually never really hit it out of the park there, which is good. I think the crowds there are pretty smart and savvy and you need to sort of earn their laughs – they don’t just hand them over. Knowing this will make me work harder to have a better set because I always like to do well at that club.

ROOFTOP: Aside from being a hilarious comedian, you’re also quite the artist. Will you be doing the artwork for your record?

CHRIS FAIRBANKS: Yes, for either the front or back cover, I drew up a keytar smashing through a brick wall. It looks like an Iron Maiden rock concert t-shirt had a baby with a Pink Floyd album cover, but the baby was born with an interest in hip-hop and techno, disappointing both of its parents. Does that make sense? Also,  I just had some amazing photos taken by Robyn Von Swank with some smoke machines and crazy lighting. I very well may use one of those as the cover. I’m oiled up and naked in a few of them.

ROOFTOP: Do  you have any interest in showing your artwork anywhere other than www.chrisfairbanks.com? Any plans on releasing a book or showing your work at a gallery?

CHRIS FAIRBANKS: First of all, my new website is “dropping” in like a month. As far as a book, I’ve been thinking about writing/drawing a graphic novel illustrating my jokes and stories. The only obstacle with that has been my laziness. In order to get something like that published, it has to be at least 150-200 pages, which would take me a year at least. My drawings are just too detailed. I think that’s something I’ll do when and if I take a break from stand up. Just in general, I plan on painting a little more. We’ll see about a gallery. My past experience has been, it takes more time and hustle than with stand up to be a successful artist, so I’ve laid off it in the past couple years to focus on comedy. But it’s been my dream  to have those two things intersect.

ROOFTOP: Once the record is in the can, what’s next for Chris Fairbanks?

CHRIS FAIRBANKS: Now I’ve gotta book some road gigs so I can sell the thing. I’ve kinda been flying solo with that lately. A few months ago, I had pneumonia for weeks and it made me crazy. One night, in a fit of sweaty fever dreams, I fired my manager, agent and girlfriend all within an hour. None of them were working hard enough. So, for better or worse, I’m dealing with a clean slate for getting my own gigs, and I feel like it’s for the better. But, I miss the girlfriend.

Buy tickets to see Chris record his awesome new album here!

AN INTERVIEW WITH “MUSIC MAN” JONATHAN COULTON

Singer-Songwriter. Über Geek. Work Horse. Funny Man. Loving Father… all phrases that describe web phenom Jonathan Coulton. Don’t take our word for it, though, listen to any one of his eight full length albums, and you’ll agree: DUDE. IS. AWESOME.

Jonathan took a moment away from his grueling performance schedule to speak to us about his comedic and musical influences,  what it was like to ditch his Yale degree to pursue a musical comedy career, and what  it’s like to be best friends with a fellow nerdcore celebrity.

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Marc Maron is the real deal

Most stand up comedians have a stage persona: not Marc Maron. He’s the same person on stage as he is off stage, and it’s not always guaranteed to pretty, but it’s always guaranteed to hilarious.

As if he cares.

In this Tight 5 with Punchline Magazine’s Dylan Gadino, Marc discusses the problem with the term “rebel”, how he deals with psychological obstacles, and the zen of airplane bathroom mirrors.

You can catch Mr. Maron perform his critically acclaimed solo show “Scorching the Earth” September 24-26th at the Lakeshore Theater in Chicago, Ill.