Comedians Jon Dore and Rory Scovel are building a reputation of bringing a little “something extra” to their Conan appearances. Last year, Jon and Rory walked out onstage, claiming that Conan‘s producers double booked them, and simultaneously performed their sets. Yesterday, the guys returned to the show together, delivering a hilarious and bizarre performance that you just have to watch.
Archive for the year 2012
New dad Tommy Johnagin performed on Conan last night. Like many new parents, Tommy is learning on the fly and has some hilarious fatherly insights to share with the world. Whether you’re wondering how to break the baby news to your friends or you’re looking for the best nanny possible, Tommy has it down pat. Tommy also tweeted an adorable photo of his newborn daughter backstage. Watch Tommy’s full set after the jump and be sure to follow him @TommyJohnagin.
As we continue to follow the Beards of Comedy across the country, the guys recently filed what could be their most urgent video yet. If television has taught us anything, it’s that the zombies are nearly upon us, and it’s only a matter of time before The Walking Dead gets a little too real. Luckily, the Beards have you covered. In the latest installment of Beards Across America, the guys find themselves in Atlanta–the epicenter of all things zombie. From physical training to camouflage tips to shelter building ideas, these Beards will teach you everything you need to know to survive the imminent zombocalypse. You can watch the episode here.
Rooftop pal Keith Alberstadt (pictured here with Danny Bevins) recently went overseas to perform for the U.S. troops in Afghanistan. As part of the Comics on Duty World Tour, which also included Bevins, Phil Palisoul, Shawn Halpin, Drake Witham, and Paul Ogata, Keith did some shows and generally pal-ed around at the military base. He also documented being mauled by a US Army-trained dog. Don’t worry–Keith was fully protected. That said, the dog could use a little cinematic enrichment (seriously, Raging Bull? C’mon). Watch Keith face off with the dog after the jump.
And here’s a montage of Keith and the rest of the touring comics. Welcome back guys!
In November 1972, the Ms. Foundation for Women released Free to Be… You and Me, an album and book geared toward children, championing self-acceptance and rejecting societal gender norms. Actress Marlo Thomas, who came up with the idea for the project, hoped to fill what she saw as a void of progressive children’s entertainment. Singers on the album included Thomas, Alan Alda, Diana Ross, Cicely Tyson, and Carol Channing. Forty years later, Joel Levinson (The Tonight Show), Stephen Levinson (Channel 101, Funny or Die’s Noah’s Ark), and Rob Kutner (Conan) decided to do a comedic send-up of the classic album they listened to so often as kids. Turning the album, titled It’s OK to Do Stuff, around in an incredibly short two-week period, they invited actors and comedians like Lizzy Caplan (pictured), Eddie Pepitone, Fred Willard, Samantha Bee, and Colin Hanks to lend their vocal talents. It’s OK is a light-hearted and funny take on the original, mixing songs and skits to pay tribute to Free to Be. We chatted with Joel, Stephen, and Rob to discuss their musical comedy inspirations, the songwriting process, and more.
Rooftop Comedy: So what, if any, exposure did you have to Free to Be…You and Me while growing up?
Stephen Levinson: My parents, who were also Joel’s parents, bought it on vinyl and I played it until it was battered. It was one of those albums, as a kid, I made them play it over and over and over again. It’s funny because I probably haven’t listened to it since childhood, but when Rob approached me with the project, I re-listened to it and it was just—amazing. When you haven’t listened to a song in so long, you listened to it so much back then, you instantly remember so much.
Rob Kutner: I have a four year-old daughter and, pretty recently, I was playing it on CD for her after not hearing it for a really long time and almost every one of those tracks opened up a well of memory. And I remember at the time, it was kind of this mind-blowing album for what it is—there’s nothing else out there like it. Not only are there all these empowering things about boys and girls and what you can do, but also so entertaining and so charming. It wasn’t at all ideological, even though it’s highly ideological now.
SL: That was the original impetus, I think.
RK: I saw that story being listed. I have a twisted mind so my immediate thought was, “What if there was this bizzaro version of it? What happens in the recording studio that we can do sort of like an ultimate history of it? And then I remembered that I knew Joel and Stephen and they’re amazing. [Joel laughs] I have a string around my finger to help me remember. I was like, “Oh, that can actually exist”.
Joel Levinson: Yeah, ultimately, it was driven by the 40th anniversary so it was kind of like, “We’ve got two weeks. Let’s see what we can do”.
RK: My wife had a baby a few weeks ago, so literally there was this biological ticking clock going on, where Joel and I were like in this creative frenzy trying to get this thing going. And then we brought Steve in because Joel and I are incapable of actually taking something into the real world.
SL: My baby’s not born until January, so I had a little bit more breathing room than they did.
RC: Did you listen to any musical comedy growing up?
SL: Stan Freberg in particular. Stan Freberg was one of those albums that we listened to it as music, before we even knew it was comedy.
JL: You’re right! [Laughs]
SL: Our parents played those albums for us…
JL: Before we had any chance of getting a joke. We just knew that people in Allan Sherman’s audience were losing their shit. They couldn’t get enough of Allan Sherman.
SL: I was going to say Tom Lehrer also. I think also, the musical songs that Monty Python does. They do these amazing dark and twisted songs that sound very light and upbeat. No one else does songs about the things they do, like “Finland” and things like that.
RK: I was just going to say, I’m the youngest of the bunch of us and the music I listened to growing up, I think, the line between comedy and real music blurred a lot. If you look at Poison and Billy Idol and the videos I was watching. When Steve was watching them in high school, I was watching them as a five year-old and it’s much harder to see whether or not they were joking.
RC: I wanted to ask you guys if you could tell me about what went into writing some of these songs and what the process was.
JL: Rob brought about the general idea then he threw some titles at me, I threw some titles at him and we tried to get a laugh and whichever one did was our pick. It was all done via e-mail.
RK: There was one point at which Joel just sent a list of potential song & album titles – I remember one was “Friends Of Friends” and I just immediately starting writing the song in my head. I could instantly hear this whole story of awkward people who didn’t really know each other and were stuck in a room together… things like that would be like a little spark and explode and other songs grew into something.
JL: Musically it’s born out of the original Free To Be… The music they wrote and performed on the original album is actually really great music. Those songs had a lot of rhythmic changes though, and with comedy you kind of want to stay away from that but it was basically pretty major chord-heavy and simple so we could lay the jokes over it. The whole point on this musically is to stay out of the way as much as possible.
SL: And Joel, for a living, enters online video contests and most of his entries involve songs, so he’s great at just whipping out a song and then forgetting about it – and it’ll be stuck in my head for the next month.
RC: Do you think Free to Be holds up today as a relevant, useful piece of entertainment for parents to share with their kids?
RK: I do think that, like with the Doll thing, Disney has sort of set up this empire that every girl is indoctrinated into princess school, starting at age three and a half. Our daughter is already obsessed with unicorns, just because the culture is there.
SL: Our parents bought me a doll, I think because of this album. I was not into it. They tried.
JL: The Free to Be album also went with this amazing Free to Be book. Some of those Shel Silverstein poems are just as worthwhile today as they were when they were written. Same with “It’s Alright to Cry”. That one is totally timeless. It’s totally beautiful.
SL: And how many times does that get quoted and people don’t even know where it’s from?
Carmen Lynch, one of our favorite NYC-based comics, performed on Letterman on Friday night. It was her first time on the program and she was awesome. The former Last Comic Standing finalist enjoyed several applause breaks as she talked about her bedroom secrets, fear of mice, and more. Watch her full set after the jump and be sure to follow Carmen @lynchcarmen
We’ve been following The Beards of Comedy all around the country and one day we can only hope to go on a road trip with these guys. In the first edition of Beards Across America, the guys dove into the SF dining scene, finding weird meat alternatives (brain tacos, anyone?) in the face of a pork shortage (remember that?). You can catch the two newest episodes, which take the guys to D.C. and NYC. First up, the Beards investigate the US Treasury Department, finding all kinds of conspiracies and little-known-facts about money. Next, the guys head to NYC to find a small slice of privacy in the city of over-stimulation. Watch both episodes after over at MSN!
Bobby Joe Ebola and the Children Macnuggits–it’s certainly a mouthful for a band name. Dan Abbott and Corbett Redford, the core members of Bobby Joe Ebola, take on a whole variety of musical genres: doo-wop, death metal, punk, good ol’ acoustic guitar sing-along, to name a few. Bobby Joe Ebola has produced a bunch of music videos–with the help of crowd-sourced funding and their talented, filmmaking-inclined friends–that showcase their skills for mixing sharp satire with catchy melodies. One of their most recent videos, “Life is Excellent”, plays like a campfire sing-along meditation on what it means to be blissfully ignorant in today’s world. Watch “Life is Excellent” below (filled with SF comedy scene cameos) and you can read an interview with Dan and Corbett over at PopMatters. On December 18, Rooftop Comedy Productions will release Bobby Joe Ebola’s new album, Trainwreck to Narnia, which is available for pre-order now.
To help prepare for his role in the 1988 film, Punchline (pictured here), Tom Hanks stopped by The Comic Strip in New York to get a feel for what it’s like to be a comedian. Movies.com came across this footage of Tom on stage, doing what any good comic would do: making fun of Sylvester Stallone. Watch a bit of his set after the jump.
Rock and comedy mix more often than you might expect; many people in the rock world say they wish they had the ability to speak as coherently as comedians do, and many comedians wish they could achieve rock star status.
Derek Sheen loves rock, specifically the late heavy metal vocalist legend, Ronnie James Dio. His latest album, the Rooftop Comedy release Holy Drivel, pays homage to RJD in both title and cover artwork.
Rooftop sent author Nathan Timmel to chat with Derek as he toured the northwest with Patton Oswalt. They discussed finding your voice, playing alternative venues, and what geography–if anything–does to your comedic sensibilities.
Derek Sheen: I am a huge Ronnie James Dio fan! Originally, Mark Allender sent me the cover art as a joke, thinking I could use it as a poster somewhere down the road? The moment I saw it, I thought it was too cool to just use as a show poster: it was the inspiration for the album and the Kickstarter project. I wanted to make something that was, both, an homage to one of my heroes and that showed off Mark’s awesome skills. Also, in keeping with the metal pedigree, it was a huge “get” to have Matt Bayles (Mastodon, Minus the Bear, Isis) and Trey Gunn (King Crimson, TU) produce, mix and master the album. For a stand-up album, it sounds amazing and the material isn’t bad either.
NT: You’re from Seattle, and open the track with good-natured ribbing of Portland. Is there a genuine, if light-hearted, rivaly between the two cities?
DS: Not really. Portland knows it’s better! Both have a great comedy scene, but Portland is my favorite city; it’s like Seattle, if Willy Wonka designed it! Plus, they have the Bridgetown Comedy Festival! Some of my favorite comics are there: Ian Karmel, Whitney Streed, Shane Torres, Gabe Dinger, Anthony Lopez, Tim Hammer, Jimmy Newstetter, Xander Deveaux and Sean Jordan. Go check ém out! Also, check out Spicy News! It’s where comics have to eat a Habanero pepper and then deliver the news! Brilliant.
NT: What kind of sensibility does a Pacific Northwest comedian have, when compared to a Midwest or New York or Southern comic? Do you notice differences in style when you travel to different regions of the country?
DS: I think Northwest comedians are slightly more passive-aggressive than East Coast comics, but that’s probably because the pressure to succeed in the Northwest isn’t anything like it is in NY or Chicago or Boston? They also have all four seasons there? In Seattle we have two: Stygian, crippling, moist darkness and 30 days of some sun. I spend 8 months out of every year battling ‘Soul Rickets’.
NT: Where did you record your disc? Do you have a history with the venue? Is it where you came up in comedy? One show, or multiple nights edited together?
DS: I recorded my album at the Comedy Underground, in Seattle. It was the venue that I performed my first open mic, when I was twelve. I remember seeing all of the pictures on the wall, comics that I respected and admired, and saying “I want to be THAT good someday”. Still am not there yet, but it’s my home club and has always fostered young comics and provided a stage where they can grow. We did six shows, over a weekend, and I took one show for the album. I thought I might cut some things together depending on how the audience and the energy was, but Saturday (1st show) was the one we went with. All the pieces seemed to fall into place with that audience and it was my favorite.
NT: How long have you been performing? How long in did it take you to find your comedic “voice?”
DS: I had an agent when I was 12; he took me to a couple of state fairs. It was/I was horrible. No one is funny at that age. I also suffered from crippling stage fright. I studied music and got into several bands, to help overcome it. Once I felt like I had a handle on it, I quit music altogether and got back to writing and performing stand-up. It’s been about 7 years of hitting every show, every night and I’m still not where I want to be, but I don’t think I ever will be? It’s quite a ride.
NT: Talk about the Holy Drivel World Tour. Where are you going?
DS: On the first leg, I’ll be hitting most of the Southeast: Louisville, South Carolina, North Carolina, Athens, Nashville, Chatanooga and also Chicago. Then Eugene, Oregon and Portland, San Francisco and Los Angeles.
NT: I notice theaters and coffee shops—alternative venues—on your calendar; do you prefer non-traditional locations for comedy to comedy clubs? Or are some of these places known for sponsoring “underground” comedy shows?
DS: I have always preferred small theaters and rock clubs. They seem like a destination location, where you have to know what you are seeing before you agree to go, can curate your own audience and they seem to be more open to fostering independent artists. Unlike comedy clubs, which I still love, where there seems to be more ‘walk-in’ traffic, that isn’t always prepared for what they’re about to see. But the money is always better and there is a built-in support system, most of the time. Clubs are a risk averse business model.
NT: Talk about the Funny or Die series, Adventure Buddies. Is that something you’re a part of, or just a cast member in?
DS: Seattle comedians Travis Vogt and Kevin Clarke, have been shooting comedy shorts for over a decade. In 2009, they wrote and directed their first full length feature; a Post-Apocalyptic-Science Fiction epic, titled Steel of Fire Warriors 2010 A.D. and cast me as the robot sidekick “Robobot”. We had so much fun, I stuck around and never left their side, in the hopes that they become famous Hollywood directors and don’t know any better than to just hire their one friend, for every part. Adventure Buddies was a great experience! It was shot in hi-def, digitally, and was a bigger budget production than anything they had ever attempted. It looks great, it’s weird and very funny and also utilizes every single comic in the entire world. I highly recommend it!
NT: Once the Holy Drivel Tour ends, what’s next for Derek Sheen?
DS: I have a feeling that this tour will never end. I am going to keep dragging this out until I have a completely new hour of material and hope that not everyone is sick of me by then. After that, I’ll try this all over again. I have been very luck (blessed really) to be surrounded by so many supportive, talented people and Rooftop has been absolutely amazing! Big thanks to Dominic Del Bene for being the coolest!