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INTERVIEW WITH NCCC MVP ANDY ERIKSON

Andy Erikson was a member of the University of Minnesota comedy team that took first place at the 2009 Rooftop Comedy National College Comedy Competition, for which she was voted the MVP. She’s that funny. Andy was nice enough to answer a few questions about her experiences at the NCCC.

Rooftop: What have you been up to since your MVP performance?

Andy: Well, I graduated from the University of Minnesota, so I’ve had way less homework, which has been nice. For a few weeks I remember trying to find a job, but that got boring. My degree is in graphic design so I do that every once and a while to help pay the bills. I got a kitten named Mountain Goat, but she also responds to Martin Coat, it’s almost like having two cats. Well actually it’s not my cat, it’s my friend who got the cat. Technically I didn’t get a cat. I’m not really good at taking care of animals. I do have a couple of really life-like stuffed dogs. I hope to someday incorporate my stuffed animals into a really neat youtube video or something. In general I’ve been working on writing sketches and songs to make myself more well-rounded. Recently I realized that a cool way to make friends and meet cool people is to have a podcast, so I starting working on one with some friends called cnsradio. (www.cnsradio.podbean.com) I also help run a comic run comedy club called The Comedy Corner Underground, which keeps me busy, and gives me a sweet venue to put on shows. I’m actually doing a show there tonight that features the U of M comedy team! It’s like a sweet reunion show. I’m really looking forward to it.

Rooftop: Has participating in the NCCC opened any doors for you?

Andy: The contest definitely opened doors for me. The 5 minute set that helped me win MVP also got me into the semi-finals of the Andy Kaufman award in new york last November. Me and my mom went to new york and had so much fun. I got to meet a lot of really cool comedians and perform at Carolines. It was fantastic. I’m really excited I’m going to be performing at a college in Pennsylvania with Erik Allen. Rooftop helped me get that gig. It’s my first headlining gig, should be cool because I like performing for college kids. Whoop whoop! Hopefully I’ll be performing at the first round of the U of M contest this year.

Rooftop: When I think of the University of Minnesota, stellar stand up comedy isn’t the first thing that pops into my head. I associate U of M with ice hockey and having a silly mascot. What makes you U of M kids so damn funny?

Andy: Very good question. Probably a combination of things. I think the funniest people inherently have weird upbringings, and growing up in Minnesota can be pretty odd. My parents for instance never let me eat sandwiches. Also Minneapolis has a great comedy scene. There are open mics that have decent crowds almost every night of the week, and the local comedians are very supportive.

Rooftop: What were your favorite moments from NCCC/Aspen?

Andy: When we found out that the U of M team made it into the final 4 and was going to go to Aspen, it was a frenzy of excitement. And being in aspen and getting to perform at the Wheeler Oprah House was amazing. I remember being so nervous. Ya know that feeling you get right before you’re about to go on stage, and just after you’ve taken a hit of oxygen so that you don’t pass out due to high altitudes? That’s such a fantastic feeling. And then you’re on stage smiling because it’s like some weird defense mechanism you have, and you just can’t help it, that’s so much fun. And then oh my gosh, hanging out with all the other comedy teams, and all the people from rooftop was unbelievably awesome. We partied every night, One morning I woke up in an entryway. Getting to see the professional comics perform was really great too. I don’t think I’ll ever forget Chad Daniels set. He’s frikken awesome.

Rooftop: Have you kept in touch with any of the other comics?

Andy: Luckily facebook makes it easy to keep in touch with comics and people I have met so yeah I have definitely kept in contact. The winning improv team and the filmmakers are some of the coolest people in the whole world. I wish we could have a reunion or something.

Rooftop: Any advice for students competing in this year’s competition?

Andy: Get out to the open mics in and around your town as often as you can. Don’t be afraid to try new things, and definitely don’t just “wing it.” Be nice to everybody and don’t be annoying.

For more information on the 2010 National College Comedy Competition, visit our NCCC page.

NEW SNUGGIE VIDEO

Chris Garcia – Snug Life from cleanwhitelines on Vimeo.

Rooftop Comedy’s Chris Garcia stars in “Snug Life”, a music video about Snuggies. Produced by Clean White Lines. Drop it like it’s warm… cuz it’s a Snuggie!

THE BOBBY SLAYTON INTERVIEW

Over the course of his twenty-plus year career, Bobby Slayton has been called many things: “shocking,” “distasteful,” and the ever-present standby, “politically incorrect.” Watching him perform, however, I would label him another way: Honest. Not honest because he speaks a certain truth—truth can be malleable, given a person’s bias—but because he speaks from his heart. There is a vast difference between shock and honest comedy; one is done forcefully, the other has a natural flow to it. There is nothing in Bobby’s act that would offend anyone aware of the kind of world we live in. If anything, Bobby’s act could be used to enlighten the masses. They are asleep, and only someone willing to be truly honest can wake them up.

Rooftop Comedy was recently fortunate enough to chat with Bobby about his upcoming Showtime special, “Born To Be Bobby,” and found The Pit-bull of Comedy to be beyond kind, enormously thoughtful, and as intelligent as all get out.

Rooftop: (after a pre-interview chat) I’m going to put you on speakerphone now, so I can record the interview and not misquote you.

Bobby Slayton: So this is where you ask me the first question, how I got my start in stand up comedy.

Rooftop: No, we’re gonna skip that one for being too clichéd. I’m lobbing this softball your way, ready? Share how you came up with the title of your latest Showtime special, “Born to be Bobby;” does the show have an autobiographical theme?

Bobby Slayton: The way I came up with the title is that it’s my act, it’s my stand up. I talk about my wife and my daughter, but I don’t really talk about me. It’s not about my life. The reason I called it “Born To Be Bobby,” is that I just liked those old… you know, when you look at these tattoos; “Born to be wild,” “Born to raise hell,” “Born to lose…” those just screamed tattoos. Those are famous old sailor tattoos from the 1940s. So, “Born to be Bobby” I thought would be a great name, and I had it actually tattooed on my back for the opening of the show. Getting the tattoo actually took two-and-a-half hours, but they narrowed it down to about thirty seconds for the special. I think that’s a commitment to my art, getting the name of my special tattooed on my back; you don’t see many comedians do that. You don’t see anyone at Showtime doing that; you don’t see Dexter do that, you don’t see the cast of Weeds do that. You don’t see anyone get their show tattooed on their back.

Rooftop: Where was it recorded?

Bobby Slayton
: A beautiful little theater called The O.C. Pavilion, the Orange County Pavilion in Santa Anna California. It was a beautiful theater that was about six hundred seats, so it wasn’t too big. It was intimate enough, where it was just nice, not too big or too small, just the right size.

Rooftop: Do you have a preference when it comes to comedy venues; theater vs. club?

Bobby Slayton: I’d rather work a theater.

(Bobby takes a moment to acknowledge his dog, Gizmo, currently begging for a treat. Though known himself as The Pit-bull of Comedy, Bobby Slayton has a mini-pinscher. On his MySpace page, he ashamedly has pictures of him with the “tiny little brave bastard, who doesn’t even know how small he really is. He thinks he’s a big dog.”)

People are generally better behaved in a theater. They listen better, and there’s no cocktail waitress, and they’re not as drunk. They’re not at tables, which tends to make people want to chat a little. When they’re sitting in a theater, they can’t turn their chairs away from you to talk, so they pay attention.

Rooftop: How long does it take you to come up with a fresh hour of material?

Bobby Slayton: Well, you know what? Now that my Showtime special is coming out next week, and I’m going back out on the road, and I’m really trying to write new material. I’m really concentrating on doing stuff I didn’t do in the special, because when people come to see you, they don’t want to see what they just watched on TV.

I have a lot of material I didn’t do on the special, so there’s a good half an hour that I have put together right there, and there’s probably have another hour from my first couple CDs, so I might pick and choose from that stuff. And in the past month or so, the two months since I recorded the special, I’ve put together about another fifteen or twenty minutes, so there should be a fresh hour out there when people come see me live now.

Rooftop: Today you’re a name comic, so people should know what to expect from a Bobby Slayton show, but how difficult was it starting out, given your point of view and comedic style?

Bobby Slayton: Oh, it’s still difficult sometimes. There are still people that come to clubs who don’t know what to expect. You never know what someone is going to get offended by or upset about, and I can’t worry about everybody. Its just comedy, but people still get upset over absolutely nothing. So in a way, [when I was starting] I kind of went out of the way to push the envelope to piss people off a little bit, because there are so many overly sensitive people out there. But the better my jokes became, and the better the material became, I just let it all speak for itself.

Rooftop: Did you ever think to yourself, “It would be so much easier to just tell safe jokes, like all the other comics do?”

Bobby Slayton
: Yeah, I’ve thought about that. I always thought it would be so much easier route to work clean and nice and simple. And you wanna know something? It worked for Jerry Seinfeld. If I were able to wake up every morning and say, “Hey, I had a great TV series like Jerry, and I have a couple of great hours of stand up comedy like Jerry,” I could easily look in the mirror and be proud of myself. But it’s not just about money, it’s about what you love doing, and I have to say what I feel.

Rooftop: Speaking of material, is that something you write out meticulously, or do you go on stage with an idea and work it out in front of various audiences?

Bobby Slayton: Both. I generally don’t sit and write, and since I’m talking about Jerry Seinfeld, I’ll use him as an example. I know that he had a legendary work ethic where he would sit and write every day. We once played a club together and shared a condo twenty-five years ago, and he would lock himself in his room and write, and that’s a great way to come up with stuff. But you know what, I don’t really do that. I just come up with stuff.

When I’m sitting on a plane, or in my hotel room or when I’m out to dinner I’ll take out a notebook and jot ideas down, but generally I just walk around. I don’t sit down and think about it, I just let material come to me. It’s kind of like writing a song; some songwriters sit down and try to write a song, and others just walk around and the songs just come to them. That’s how I like to work, just letting the material come to me.

Rooftop: Do you think technology—Twitter, YouTube, etc—helps or hinders today’s comedians? Meaning: do you think they spend time marketing themselves they could spend writing material?

Bobby Slayton: It’s helped a lot of people, but I don’t think one cancels out the other, I think both is fine. It’s like going on television, like Last Comic Standing. It’s great, people know who you are, but if you don’t have the material to back it up, which a lot of guys don’t… you just have to have the material behind you, and I think it takes a good twenty years to get together a solid, solid act.

Bobby Slayton’s latest special, “Born To Be Bobby,” will air on Showtime, March 4th, at 9PM.

Pre-order the DVD here.

AN INTERVIEW WITH CHUCK WATKINS

An interview with Chuck Watkins from the Onion’s AV Club in Austin.

By Andy Gately

It’s Just A Joke puts local and touring comedians on the spot and gives them one shot at making us laugh. In this edition, Chuck Watkins—a former Austinite known for blending goofy, fast-talking patter with bits of anti-folk music from his musical alter ego, Fourtrack-Blackjack—gives us a taste of the kind of stuff you’ll find on his recently released CD, The Sophistimicated Wit Of Chuck Watkins, Esquire, which he recorded here late last year.

A.V. Club: Recording a comedy album is always tricky, because you want to make sure you’re getting only the best shows on tape. Do you think Sophistimicated captures you at your peak?

Chuck Watkins: It was one of the best comedy weeks of my life. I destroyed every show—except for the very last night, where I got booed for 10 minutes straight. Thirty rednecks sat right up front and heckled me the entire time. There are actually elements of [that show] on the album, like the part where we do the ukulele crowd work bit. That was the one part that they actually liked—mainly because my buddy was making fun of me a lot, and they were really on board with that idea.

AVC: In addition to the ukulele, you’re sort of a connoisseur of exotic instruments. Is that fair to say?

CW: That’s probably fair. I’ve got just about one of every strange little instrument I can get my hands on. I got a micro-sized Theremin not too long ago that I paid $70 for, and I couldn’t read the instructions, because it was from this strange website in Japan. I wanted to plug it into a speaker, and my big idea was to be playing my ukulele, and then move the uke head in a way to also play the Theremin. But it turns out that my Theremin is a piece of shit. I put it together perfectly and everything, but then I found out it doesn’t have the A/V out. You have to put your ear up to it to even hear it. It works—you can hear the variations of the magnetic field. But it’s not loud enough to hear beyond a foot away.

AVC: You’ve also been very prolific with your short film work. How did that come about?

CW: I wanted to do two per year, but moving got in the way—although I did about 35, which I think is pretty good. The good folks at Rooftop Comedy, who helped me put out my album, approached me recently, saying, “Make this crazy little video for a web ad campaign that helps promote the site.” So I made that and they gave me a couple bucks—which was nice, though a little strange, because I felt like I was using my fun, creative talents to do something monetarily based. But it didn’t seem to hurt anything. I think my artistic integrity is measuring about 50 percent right now. I’m pretty sure I could be bought pretty easily. [Laughs.]

AVC: You’re also responsible for the infamous “Finals Week, A Spontaneous Musical.” What was the inspiration behind that?

CW: My buddy Doug Mellard thought of me when he came up with the idea of doing a prank—but a goodwill prank, rather than a Borat-style prank at the expense of someone. But he was like, “No, this will be happy. It will inspire people.” That really got me on board. And through that goodwill, we were able to get so many people because they just liked the idea of making something wonderful just for the fun of it, to give away. In fact, I was surprised at how quickly it came together. One person told one person told one person, until we had close to 100. It was wild. We had people showing up the day of who had never learned the dance—that we had put up the day before, like a tutorial—who were just like, “We want to be a part of it.” We were like, “Well, it’s easy. Do this, do this, do that. Got it? March!”

AVC: One last question: Who do you think gets asked, “Is that your real voice?” more: Gilbert Gottfried, Emo Phillips, or you?

CW: Wow. Well, I don’t know about those people, but I get asked every goddamn day. [Laughs.] When I’m all by myself, I don’t talk to myself, but I think differently in my head—like a calm, rational human being. But when you put me in a room with at least one other person, I just turn into a 5-year-old who wants to entertain somebody. I just get all silly.

Chuck’s new album “The Sophistimicated Wit of Chuck Watkins” is available for purchase on iTunes.

ROFL IS BACK!

ROFL is back with a new season and host — Rooftop’s very own Alex Koll!

Subscribe on iTunes.

THE COMPLEX JERSEY SHORE SOUNDBOARD

Click on it! Thanks, Complex!

Conan O’Brien LIVE!

From Josef Adalian of “The Wrap”

Get ready for Coco — live!

Conan O’Brien is about to finalize a plan to hit the road in the next few months, performing a live show in several cities across the country, a person familiar with the plans told The Wrap.

His representatives at William Morris Endeavor, which has a unit devoted to live appearances, have been working to secure dates for several days now.

The idea has been in the works for almost two weeks now, but nobody has wanted to talk about it because mounting such an event won’t be easy.

While nothing’s official yet, if the tour goes forward — and all signs are that it will — it would be a clever work-around to the clause in O’Brien’s exit settlement from NBC that prohibits him from appearing on TV until September.

It would also be a brilliant way to capitalize on the Team Coco mania that’s hit the Internet in the wake of his public battle with the Peacock. Shows such as “Family Guy” and “It’s Always Sunny in Philadelphia” have proven there’s a market in live events tied to TV series.

Expect the road tour to be tied in to a new Intenet presence for O’Brien, allowing Team Coco members to interact via an official hub for the once-and-possibly-future late-night host.

As for when and where O’Brien will land next on TV, all signs continue to point to Fox as the first candidate for a new home — assuming all sides can figure out a way to make things work financially. While neither O’Brien’s camp nor Fox is talking, even privately, late-night industry insiders say it wouldn’t be shocking if the two sides begin face-to-face meetings by next month.

O’Brien’s PR rep was traveling Friday and couldn’t immediately be reached for comment.

ISAAC WITTY: THE PUNCHLINE MAGAZINE REVIEW

Here’s an excerpt from Punchline Magazine’s review of “Zero Balance,” the new live stand up comedy album by Isaac Witty produced by Rooftop Comedy Productions.

“The “Ringtone” track alone, No. 10 of 33 tracks, is worth the price of the album. It underscores Witty’s altogether giddy style and his enviable technique of cobbling fresh comedy from seemingly exhausted premises. His success derives as much from his dizzy delivery as his inventive writing. Witty imagines the unimaginable and mines uproarious jokes from what ought to be mundane sources of humor: middle school gym class, the mall, the grocery store, the windup of his act.”

Read the rest of the review on the Punchline Magazine site.

Purchase “Zero Balance” on iTunes.

SNOOKI + PHOTOSHOP = SNOOKIE SHOP!

What do you get when you cross Snooki from MTV’s Jersey Shore and Photoshop? You get Snookie Shop, home of the latest, greatest internet meme.

Check out the hilarity and upload your own Snooki on the Snookie Shop website.

WOMEN STAND UP AND SHOOT!

“Women Stand Up! A Comedy Cabaret” & IFP Minnesota ANNOUNCE:

WOMEN STAND UP AND SHOOT: A COMEDIC FILM COMPETITION

The purpose of WOMEN STAND UP AND SHOOT is to promote and encourage women writers, actors and directors in film comedies. The deadline for submissions is April 21st 2010. Films will be screened at the Bryant Lake Bowl Theater in May 2010. Prizes will be awarded for first, second and third place.

Eligibility Guidelines:
1) Films must have a female writer or director
2) Films must feature a female lead or leads
3) Films must be comedic and
4) Films cannot be longer than 10 minutes.

The winners will be determined by a special panel of MN-bred comedians: Lizz Winstead, a writer and comedian, a founding member of Air America Radio and Co-Creator of Comedy Central’s “The Daily Show;” Mary Jo Pehl, one of the original writers for Mystery Science Theater 3000, which aired on Comedy Central and the Sci Fi Channel, and a writer for Minnesota Monthly; Jackie Kashian, a stand-up comedian who has toured nationally for over 14 years, has appeared on CBS, NBC, and the Nationally syndicated Radio/TV show Bob And Tom, and has a half-hour special on Comedy Central.

Click here to apply.